| Melanie took her time
under the hot shower while her customer, a white tourist, waited for her.
Then, wrapped in a towel, taking fragile steps, she went into the bedroom,
avoiding his eyes. He sat on the bed. He smiled at her almost abstractly
and called her. She looked up into his face. A fat face. An eager whiteness.
It repulsed her. He stripped off her towel and leered at her quiet body.
He took his time. Turning her round, he slid his fingers over her moist
nipples, her stomach, down her buttocks. At least he smiled when she was
naked, not like the others who suddenly became serious like stricken animals. She hoped he didn't feel her revulsion. He talked to her, touching her. But she didn't understand, only occassionally when he used an English word. He held the side of her head and pushed her down to his organ. It was stiff and thin. She took the thing into her mouth as he wanted. He sat watching her, talking. As the moment approached he pushed away her mouth. He grabbed her hard, biting her breasts, squeezing her buttocks. He bent her over, spanking her, jerking himself with his other hand, talking, talking. He spread her ass cheeks and, playing with her anus, suddenly ramned his sour organ into her rectum. His moan or growl or language soared worst - then he drew out of her hole quickly and by her hair twisted her round to face him and punched her in the stomach and slapped her face hard as she doubled over. Blood spumned over the bedsheet. On her knees, gasping for breath, but he was talking, talking, and now a seam of laughter ran through it, when he shoved her back with his foot, and as she spread out besides terror and confusion the moment at last came, it rained on her stomach and throat and across her face and commas of whiteness crossed her black fine-brushed hair. "You fucking whore!" he said. He grabbed her clothes, lifted her by the arm, and pushed her hard against the wall by the door. "What I do?" Melanie whimpered, "Why - ?" "You be silence! You vnderstand! Huh, good girl?" He held up his hand the 100 peso bills for her to see. And smiled. "You eat good tonight, huh! Buy dress! Have good time!" He squeezed her fingers over the peso bills and pushed her out with her clothes into the hall. "Good bye! Go away!" Her eyes on his fat knuckles.
He shut the door. She started walking but soon realized that she was naked. She was clutching her clothes and looked down at her bare belly and her toes on the linoleum floor. She couldn't go back to the room, was terrified that someone would come up the stairs and see her. She looked up, down the hall. All the doors were closed. She heard a voice from a floor below and rushed away from the stairs, then saw a door ajar and, opening it, found a janitor's closet. She went in, shut the door behind her. Against a wall was a mop, rags in a corner, detergents, toilet bowl brush, a deep sink. The air in the closet stung with the smell of ammonia. Weeping and rushing, she opened the faucet and splashed her body with water. She shook her hands and saw drops of blood redden on the sides of the sink. As she dressed she felt the ach in her body and a burning in her rectum. Blood trickled from the cut in her lip. Her cheek felt numb, as though she'd been to a dentist, she tasted the blood. Somehow, with the taste, she saw it too, the red blood and she could see nothing else and the walls of the closet flashed in red and she felt terror and a helplessness that made her feel like vomiting and she did. Not much, as there was little food in her stomach, and what she vomited was the bitter thing. Too, in her language, she muttered, "It is hard to be a woman. My cunt - why, why?" And she made the noise of a long, awful sigh, and called the name of merciful God. A cockroach scrambled in the sink. It reminded her of the man in the room and the pity she felt for herself, like a dog licking its wounds, soared into anger as she exclaimed that she wanted to kill him and to feed him to the pigs. Fury burned in her throat, and at the same time she despised the color of her skin. She longed for her village. For the pure rain. And, sobbing again, she longed for her mother and father, who despised her. Why, why? the question bubbled in saliva. Her eyes swept the walls of the closet as though the walls were the skies of Heaven but she found no answer. Then on the floor she saw the money that he had given her. She had forgotten it. Now she took a couple of steps towards it, bent down, picked it up, and turned it over in her hands as though it were something new and strange. It was just paper. Paper she could burn, wipe her ass with. She did such things for it. It was 2 o'clock in the afternoon. |
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| Elvis sat in Raymond's,
feeling confused and unsure of himeslf. Pressing his palms on the counter,
the firmness of the wood somehow reassured him. Then, tensing himself, he
tried to think of a way to solve his unique problem. The bodies of people
in his unfocused eyes melted with the air. He went through his usual repertoire
of ideas and hoped this time to discover something new. He searched for
a grand scheme that might with luck and genius strong-arm his failure into
a few dollars he could spend. Normally, he wasn't so foolish. He could recognize
when a brilliant move might be more beer than genius; yet, he insisted on
trying to transform what was obvious into what was impossible. Overhead
the ceiling fans turned in endless circles in the flowery Manila air. Mandi,
the counter boss, started dancing to hip-hop music from the radio. Elvis
stared at his knees. There seemed to be no solution to his problem but to
write. Time and Newsweek had offices in Manila. They paid well. A hundred
dollars in Manila would be enough to show the Berkeley girl a very good
time. No, fifty dollars would do. So, suddenly, it seemed easy. What was
the problem? He laughed at himself. Springing into action, he searched his
pockets for the piece of paper he always carried, but it was gone, lost
somewhere, probably on Roxas Boulevard when he tried begging to get money.
Josie, the countergirl he liked, gave him a napkin to write on. He was careful
to dry the counter before positoning the paper which seemed to glow slightly,
precious and challengingly blank. He touched its surface with a certain
foreboding. Before writing, Elvis, for luck or whatever, stroked the Donald
Duck head of his ballpoint pen. Then he performed his ritual: gritting his
teeth, tensing the muscles in his neck and shoulders (as if the tension
somehow focused his body in space and made him more real), then relaxing,
staring off into space for the idea that could turn itself to gold (Donal
Duck grinned happily). Meanwhile, people left, people entered, sitting at
the counter or at tables against the wall. The billiard players at the back
of the room were t-shirted Filipinos who kept to themselves; possibly, security
guards. Months ago, a grenade got tossed in from a jeepney along del Pilar.
The explosion shattered tables, disemboweled two tourists, tore off the
legs of a shoeshine boy. A section of floor promptly disappeared. When Raymond
rebuilt, it was rumored he plated the bar counter in steel. Obediently, the sphere of the sun ripened like a fruit casting reddish shadows. The foreigners making their first unaided appearance of the day quickened in number. A rough seaman strolled in. Later, a New Zealander with snake tattooes on his forearms. Before him, a middle-aged Dutch couple, the man tall and lank, the woman like his twin, in a miniskirt, both of them sporting deep tans and tired smiles. Mandi slid them beers, saying, "Sexy wife!" which made her giggle, sucking the bottle up to her lips. The seaman stared at a Filipina who combed her hair with obsessive repetition. The scent of her madness made him want to fuck her. He watched her tiny fingers grip the comb, it plunge and vanish into her black hair, again and again, trembling out of the coiled blackness. Across the street the neon sign Yellow Butterfly Bar hummed on zigs and zags of color against the sun's darkening philosophy. The paper remained blank.
"Hey," the Zamboanga dancer smiled at Elvis. He looked at her mouth and down to her crossed legs. She coughed to bring his eyes up to her pouty, full lips. She exuded a smell of bananas. "You buy me drink." "I'm writing." "Rum and coke, okay." She licked her lips. "You want blowjob?" "I have no money." "Bullshit." Elvis returned to the paper. He closed his eyes and tried to imagine the paper filled with a story that would be informative and clever, yet touch the heart. From the page he wanted to get a whiff of singed flesh and be disturbed by the friction of the movement of what imaginary characters he would create. He struggled to listen to the beat of hearts that did not yet exist. The promise of his imagination soared bodilessly. He felt the wetness of tears without the reason for them. He felt the resonance of a great idea but without the idea itself. He heard the whirring of the ceiling fans, smiled slightly at the ghostly breeze that seized his temples, the beads of perspiration that rolled down his neck. The paper waited for ink. The Zamboanga girl watched him with a mocking smile. She would rub her knee, glance at him. Suddenly - police sirens. An armored truck escorted by jeepfulls of men holding shotguns manuevered past on del Pilar, towards the bank on the corner of Padre Faura and Mabini. Filled with pesos, sacks of coins and checks, possibly gold and silver, Elvis, like a derelict Superman, saw through the steel and guns and the money, and saw himself rich in the Plaza Hotel by Manila Bay, standing by the swimming pool. He kissed his ex-girlfriend from Berkeley (who took his wealth for granted) and the sun set as in a postcard. The fading of the sirens brought him back to earth. MH del Pilar went straight through the old district of Malate, where colonial houses still remained, their yards odorous under great mango trees, with years piled on the ground like the dark, decaying leaves. "Repent! Repent! The Lord saith unto the whoremongers and misers for Judgement Day cometh and the Kingdom of God is near!" shouted the Preacher on the sidewalk, shaking a Bible over his bald head. "Westerners come to Manila to drink and fuck. I do not mince words for God knows all words and he knows what fuck means, fucking out of marriage, fucking for the lust of flesh. Without the sanctity of God's blessing. You fuck now and you will burn in Hell! Fuck and burn! Burn like chickens, burn like pigs! Burn with syphillis and gonorrhea! And aids! Fuck and pus will come out of your penises and vaginas! You fuckers repent!" "Fuck!" someone answered. "Let's fuck!" the seaman shouted. "I fuck you!" shouted the Zamboanga dancer, "Cheap!" "Fuck!" Elvis shouted. "Fuck you!" the Dutch woman shouted. "Fuck!" It was an opera of obsenities. Even the deaf and mute girls who sat around waiting to polish fingernails for a small fee made gasping noises with their tongues, and one pumped her fingers like masturbation. "Okay, that was the wrong thing to say," the preacher said, "Shit." Looking defeated, he walked into Raymond's, tossed the Bible on the counter. He closed his eyes. But he could still hear the laughter and across the lids of his eyes sense the never ending confusion of the street. Glaring bulbs, night smells, faces frozen in perspiration, and somewhere among them he hoped was a man, or a woman, who had not laughed at him. He fancied himself as a kind of artist who sought to paint his detergent visions over an existing canvas of sins, again and again he painted on the street corners, the bars and whorehouses, the hypocritical living rooms of the world, his visions of harmony and gentle things, but the paint wouldn't stick, soon it would peel and the perversions beneath appeared and it was the sin that stole again, always, the prize. His work of art, revolutionary in a fresh soul, could not be understood with addicted eyes. Instead, people recognized in the yellow vomit and the buttocks of the canvas he sought to cover with love and goodness the easy brilliance of old sins. Soon he ordered a San Miquel. "Once upon a time ...," Elvis began. Dot dot dot. The tables along the wall got occupied. And then two German hippies left with Maricar, a child prostitute. The street got noisier with more hawkers going after the tourists. A diesel truck rumbled past streaming water from a huge load of sand. Then a moment of quiet, when the street seemed to be empty, the people frozen, only a white moth alive floating into the dumpyard.
~~~
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